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from behind the camera

On all but the last part in the documentary (herd impact), I filmed solo, running the camera, the mics, and my mouth. This way of filming gives me the chance to really get to know the farmers and ranchers – and let them talk candidly, without a crew distracting them. I do have to keep an eye or 2 on the camera (and hope I haven’t hit the autofocus button by mistake) but I am able to let the folks in front of the camera know I am listening to every word they say. I try to keep real quiet and not say “uh-huh” and “right” and regular conversational stuff like that. I smile and nod my head a lot.

But then my editor Hal started editing in my off-camera questions, and I slowly was becoming a bit of a presence in the films. Then other folks were thinking it would be good to see me ask the questions.

ALBERTA FIELD - Carbon Cowboys

So, for herd impact, I hired a former student from my ASU documentary class, Chris Smith, to grab the camera while I jumped out with the ranchers. I felt like I was shirking my job by not filming, I felt a bit naked without the camera. I was hoping it would work, and when Hal gave me the thumbs up after he had watched the footage, I committed to being in the films from here on out (we have one in production right now – stay tuned). Now I have to think about what I am wearing before heading out on a shoot – not my strong suit.

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